太牛吉列姆属于是得了梅里爱真传创造一个假作真时真亦假的世界narrative, make-believe, crisis management, and hope are organized along the bodily/imaginary journey across fantastical places. theatrical expertise facilitates fantastical worldbuilding.
Everything sticks to the title, Repulsion, which is a good one. Intriguing, inspiring and very confusing. It's like Lynch's version of Barton Fink, only more nonsensical.