Seemingly another typical male gaze centric, somewhat problematic (in today's standard) pink film took a sudden left turn所以毕竟是2002年拍的婚前试爱电影可以看成是对pink film有commentary的反转虽然这里empowerment的工具仍然是女性身体本身后半段放飞后的确比前面的pink有意思包括lovecraftian imagery还有overtly invoking "film as voyeurism" by showing some surreal lynchian club scene导演自己出演手持相机的stalker也许可算是又一层面上的meta commentary本质上是他的干预完全改变了这对夫妇的生活——电影的力量(看到一种解读说stalker的角色也许并不存在)
土豆妮:222.44.225.80
A movie about the most celebrated city in the world, it didn't make me love it, but didn't make me hate it either. Short stories*based*in NY