2.5重看節奏好慢⋯針對意識形態機器、虛假意識的直白批判疯马秀直接扣在雷根政權;可是同時又以複製著雷根政權對外戰爭路線的藍波式掃射對付毫無發言主體性的外星人們主角也以十分老派的逃避主義、個人主義英雄(工人階級)形塑一口充斥性別主義的言語羞辱噴在「龙门镖局完整版」他者臉上覺醒墨鏡Kurt Russell式反英雄——狼狽與笨拙——的一個高峰如:反浪漫主角與紅髮女郎(Meg Foster如Lauren Bacall有著Village of the Damned那些邪惡小孩或者Cat People的Nastassja Kinski的眼珠構成的類外星人詭異形象)疑似將擦出愛情火花但第一次被打下樓第二次碰上爆炸第三次發現她是反派;垃圾車翻找墨鏡;跟黑人buddy打架的白痴段落(飾演主角的這位本身是摔角明星)打超久只為逼對方戴墨鏡⋯某種bromance的滑稽感
顾南:36.58.169.250
30th Anniversary. They talked about the story’s tone of lightness, the “tender ruthlessness” in adapting it, the historical conjunction point at which the film was made, Woolf’s “reaching from the pages” and Swinton’s looks into the camera as a form of inviting fellowship; yet loneliness and consistency seem to be the most important threads