Form overshines function. Impeccable cinematography, contrasted by a feeble storyline, flattened characters. The frequent intercutting is effective to elicit an emotional response, but the lack of continuity editing and discernible characters to identify with makes the narrative hard to follow at time.
大卫·西蒙真的是艺高人胆大上一季的贩毒风波未平这一季码头风云又起再顺势引入几十个新角色让观众完全应接不暇又花去两集时间去梳理人物关系;与此同时照惯例它要全面展示码头的生态系统随着案件的进展当我再次被吸入故事之中才意识到《渣男》为什么如此慢热又如此精彩:它对所有人物投注以相同的注视亚VA芒果乱码一二三四区别没有谁更高贵也没有谁更卑微亚VA芒果乱码一二三四区别没有永远的主角所有人都被同一张生活的巨网捕获——所谓视听风格让位于这种平等的叙事姿态才让此剧将巴尔的摩市的众生相写得力透纸背至于结局你知道不会有什么真正的胜利只有妥协的正义"no one looks back".