如果这只是作为某篇相关权益报告中的用典尚可理解但大费周章找一个七百多年前的经典一战来拍电影只在「YELLOW动漫网」当下的这么一点价值观真的很狭隘既然都明晃晃地跟你说 the truth了那还要什么三段太看不起观众了吧转场衔接宛若在看国产网大除了女主外基本没有人物国王形象也很刻板嬉笑残忍仿佛照搬权游自从听过分析中世纪室内戏打光问题后就特别在意本片可以说还是太亮堂了还有Pierre 老婆的孕肚seriously 不过好像在服化道方面肉蒲团之官人我要还有冷兵器geek得到快乐也算没白拍
Through tonal, thematic conflicts and opaque, ambiguous motivations, Antonioni deftly depicts the post-war ennui, urbane alienation, nihilistic apathy, and disconnected self-indulgence of his upper middle-class protagonists, with modernist aesthetics and narrative singularities.