Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.
怀疑主创是大肆吸取了罗伊安德森和雅克塔蒂的策略用大量平整和单调摄像机运动配合全搭建和几乎全室内的调度呈现一种动态画(moving tableaux)或者按我的说法dioramic screens更进一步的隐喻可能是室内空间(或者说Anglophone Capitalist Male Dominant室内空间)不仅显而易见地切割了人的情-动还捏造了一具新的身体(environment as your corporate body)——然而你的身体实为一具精灵旅社4电影是在两个世界中将一指认为二making space for a new body, making body for a new space