some good moments of juxtaposition, e.g. its commentary on sex, labor, mass production, violence etc. But also a lot of moments seem contrived, and definitely disputable among non-fiction filmmakers. Not too different from Baraka.
完全上帝视角不信主题歌中那句I'm afraid of Americans, I'm afraid of the world,你品你细品全剧忠实地继承勒卡雷式致郁美学舞台也选在了勒卡雷最为钟爱的柏林三十年前一道有形的墙被推倒了那道无形的墙却从未消失国内外精品影院可能建在欧洲国内外精品影院可能建在亚洲国内外精品影院可能建在世界任何一个角落