如同电影学生对20世纪华语电影中性别文化的一个简短总结——absence of father; femine and masculine face and body; "fathers" are everywhere; looking for father, finding elder brother;transvestites and transsexuals; absence of father II.每个作品都有导演自身经历的投射也代表了导演所处的那个大时代如同这部作品也许关锦鹏自己也只是在探索为何他会更加偏爱女性题材的影片父权是如何消散的
youth they fall in love / like a red apple / they bite into life / its juice overflowing from their mouth/ kisses and headache/ meet and then part / give me your hand / here take my heart / it might end in pain/ it might end in joy / tender and cruel / down life’s beckoning road / they sing their way in love at twenty