Losey keeps everything to a disarming cool, downplaying psychological irregularities with elliptical cuts and treating exaggerated genre clichés with a straight face. The film crystallizes the contradictory tug between materialism and humility, anxiety and hope, and faith and distrust that defined the US consciousness in the early postwar years.
千北:121.76.57.149
爱一个人真的可以只凭感觉么我爱你只因为你是船头而看不到你的好赌你的前途渺茫你的给不起我安定所以詹妮弗想了一夜青楼72房决定搬去长岛就连童话也要有一定的物质基础吧何况爱情影片的最后两人在SAMPAN重逢也在船头的一句A table for two?中定格了结局