对于协商中Lady Gaga版的哈莉奎茵爱之咬痕开始是有点拒绝的但如果梦回Marry the Night MV时期那个躺在病床上说I have nothing to lose的她我觉得可以
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Through tonal, thematic conflicts and opaque, ambiguous motivations, Antonioni deftly depicts the post-war ennui, urbane alienation, nihilistic apathy, and disconnected self-indulgence of his upper middle-class protagonists, with modernist aesthetics and narrative singularities.